Money has become a materialistic part of American life. In a passage from Money and Class in America, Lewis Lapham expresses his views on how America has assimilated to the value of wealth. Through literary devices such as diction, rhetoric, and euphemisms, Lapham defines the ridiculous form of money that the American Society can't live without.
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AMERICAN EYE Shaking Shibboleths: The Essays of Lewis H. Lapham MARK HALL Long dead, his flesh probably well mulched by now, H.L. Mencken stirred a posthumous controversy when his diaries were published late last year. People were somehow shocked by the virulence of his eth nic and racist slurs. The cur mudgeonly Mencken, schooled in.
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Lewis H. Lapham is editor of Lapham’s Quarterly.Formerly editor of Harper’s Magazine, he is the author of numerous books, including Money and Class in America, Theater of War, Gag Rule, and, most recently, Pretensions to Empire.The New York Times has likened him to H.L. Mencken; Vanity Fair has suggested a strong resemblance to Mark Twain; and Tom Wolfe has compared him to Montaigne.
Lewis Lapham is a writer and journalist. For years, he was the editor of Harper's Magazine and is the founder and editor of Lapham’s Quarterly.Lapham has also authored a number of books including, Money and Class in America, The Wish for Kings, Waiting for the Barbarians, Theater of War, and Age of Folly and wrote the film, The American Ruling Class, which had a documentary style and engaged.
In Hotel America, Lewis Lapham draws a portrait of a society at a loss to know what to think or make of itself at the end of a century once defined as America's own. His observations speak to the moral and intellectual confusions visited upon the American ruling elites - in the media and the universities as well as in business and government - during the years 1989-1995. The spectacle is both.